Wednesday, July 31, 2019

July 2019 Book Haul

Typically, I like posting these book hauls on the first of the month. HOWEVER, since this blog will be given over wholly to the REVEAL of Spindle Dreams's cover, I'm going ahead and posting this a day early.

July saw me in a lot more thrift stores, since my sisters were visiting one weekend and we decided to hit a handful of stores while they were here. And then basically all but four of the books listed below I picked up in one day. That's what happens when you've got good thrift stores in your area. Not apologizing.

I just need another bookshelf now...

Anyway, let's get started!


The Scarlet Letter / Nathaniel Hawthorne - To be honest, I do have another copy of this book, but it's in pretty rough shape. This one is perfectly tiny with a dust jacket and gold edging. It's beautiful.

Scarlet (Lunar Chronicles) / Marissa Meyer - Now I've got half of the Lunar Chronicles. This is such an interesting take on the tale of Red Riding Hood.

The River of Wind, The War of the Ember (Guardians of Ga-Hoole) / Kathryn Lasky - I had NO idea these owl books had such a big series. These are books 13 and 15!

Andersen's Fairy Tales / Hans Christian Andersen - Eep! Another book of fairytales! I think this may be my first collection of Andersen's.

Inkheart / Cornelia Funke - I read this trilogy a long time ago and (aside from the language!) really enjoyed it. I think Inkheart was my favorite since the author did some things in the second and third books that I didn't care for. *sniff* I would have written it differently.

Ozma of Oz, Dorothy and the Wizard in Oz, The Road to Oz, The Patchwork Girl of Oz / L. Frank Baum - Books 3, 4, 5, and 7 of the Oz series. Who knew that the world of Oz had so many books?

The Sword of the Wormling (The Wormling) / Jerry B. Jenkins, Chris Fabry - I've got the first book of this series on Kindle, but I've procrastinated starting it because I only had the first book. Oh, look -- here's book two!

Cinderella: Ninja Warrior (Twisted Tales) / Maureen McGowan - I'm familiar with this book from Goodreads, but I don't know that much about it. I was super excited about it until I saw that it's kinda a "choose your own adventure" type of book. Don't hate me, but I don't like choosing the adventure when the author should have already done the work.

Beauty / Robin McKinley - How can I be a fairytale retelling snob without this book in my collection? Not my favorite Beauty and the Beast story, but definitely one to hang on to.

Abandoned on the Wild Frontier: Peter Cartwright (Trailblazer Books) / Dave Jackson - I was only ever able to read a few in this series growing up, but I really liked the missionary/Christian tales. Not super long, but just the sort of clean, inspiring adventure I want my kids to read. This particular one I've actually not read yet.

The Journeyman / Elizabeth Yates - I grew up with this book and its sequel, so it's always exciting to find these little gems in stores. Brownie points for anyone caring: it was published by my college.

~*~

And that's all for July, folks! Have you read any of these books? Any of them on your to-read list? What books did you add to your shelves in July? Let me know in the comments below!

AND DON'T FORGET! We've got a cover reveal and a book tour kicking off tomorrow!!

God bless!

Saturday, July 27, 2019

Featuring Sleeping Beauty, Snow White, Rose Red, and Rapunzel

Inspiration cover; not the real deal. 

The days are slowly creeping closer to Spindle Dreams's release! I'd like to remind anyone who'd like to participate to sign up for the cover reveal (August 1st) and blog tour (August 2nd-9th). Links are below!

Cover Reveal (sign up closes on July 30th).


Blog Tour (sign up closes on July 31st).


~*~


ALSO, I'm very excited to announce that my very first post just went live on Fairy Tale Central! As part of the month celebrating the fairytale Snow White and Rose Red, I completed a book review on Patricia Wrede's version of the tale. Be sure to pop over there to check it out!

This was a super fun month to jump into Fairy Tale Central. Snow White and Rose Red is a lesser known fairytale, but by no means less exciting or fun. Sometimes, I believe it loses too much of its spotlight to Snow White and the Seven Dwarves, just because of the name similarities. However, it is NOT the same tale.

~*~



And by the by, if you're not already aware of the fact, FIVE new Rapunzel retellings will be hitting Amazon in early August! In fact, the release dates for those coincide (unintentionally) with Spindle Dreams's release. If you'd like more information the Golden Braids tour and release dates, Kendra's heading things up (her main blog is here). Sign up for the tour is now closed, I believe, but there's still time to preorder books and get your hands on these lovely tales!

Aren't fairytales and retellings just the coolest thing? *grins*

God bless!

Wednesday, July 24, 2019

DETAILS: Spindle Dreams Cover and Release


At long last, Spindle Dreams is making its way into the published ranks of Amazon! Although this book, overall, didn't take that long to write, it has taken many, many moons to get to this stage. I am so happy, and I cannot wait to share this Once Upon a Twist Tale with you all. I can't say it out loud that SD holds a spot closer to my heart than The Rose and the Balloon did (mainly in fear of what Nicolas and Nicoline would do to me if they found out), but I'm still so excited to see this project FINALLY to completion.

Here's what you want to know...

I will be releasing Spindle Dreams's cover LIVE here on my blog and my other social media sites on August 1st. I intend to run a blog tour from the 1st all the way to the 9th of August, upon which date I shall be publishing Spindle Dreams LIVE ON AMAZON.

Do ya hear that, folks? OUR PUBLICATION DATE IS AUGUST 9TH! 

Below are two Google forms available for sign-up. You do not need to feel any obligation to sign up for either, but I would appreciate any publicity you can give me concerning my newest release. One form is ONLY for the cover reveal happening August 1st. The other is for the blog tour. Please sign up as you wish.

Sign Up for the Cover Reveal!


For the cover reveal, all posts must be on public blogs anytime during the 24 hours of August 1st. After the cover is live on your blog, you may share it across the interwebs as you wish. I will be sending cover, book info, and author info in an email for bloggers to post as they wish. Please sign up soon if you'd like to participate in the cover reveal, but I should be able to send the reveal information to bloggers up until July 30th. 

Anyone who doesn't have a blog and would like to share it may do so once they see it live on others' blogs and social media sites. I just don't want the cover sneaking out before it's meant to.

Sign Up for the Blog Tour!


For the blog tour, I'm offering several options for posts: a character interview with either Marita or Felix, an author interview, or a guest post by the author. No limit on interview questions, but all questions must be submitted through the form above by July 31st. 

I will also be offering a few PDF copies of Spindle Dreams for review; the catch on that is, your review MUST be published during the blog tour. Once you sign up for a review, you should have the PDF in your email within a day or so. Again, the deadline on that is July 31st. I won't be able to send out the PDF after that day. Spindle Dreams runs around 26,000 words and is easily read in an afternoon or two.

Any questions/concerns/fangirling? Please comment below!

God bless!

Friday, July 5, 2019

June 2019 Book Haul (And Announcements)

I'm not sure how many of you have noticed this, but I haven't done a book haul post since (I believe) March. The reason? Because I didn't have any new books to post as a haul.

It's very sad, yes, but I'm also very happy to say that I've added two new books to my shelves in the month of June -- so I can do a book haul post! Small, but it's a post.

Anywho, what with moving and vacation, these last two months have been absolutely crazy, but in a quick local bookstore trip, I managed to find two books that I've been looking for for quite a while. (Sorry, Google images will have to work for this one, since I didn't take one myself.)



The Candlestone and Circles of Seven // Bryan Davis

I've had the first book in Davis's Dragons in Our Midst series for I don't know how long. I've read through most of this series (including DIOM as well as Oracles of Fire and Children of the Bard) at one point, but I don't recall most of the series, unless you count some epic moments with Walter. I've been wanting to re-read all of them for a while, but when you've only got the first book -- let's face it, it's not that enticing.

Bryan Davis hasn't typically been a favorite author of mine, but I recently started reading his Dragons of Starlight, and suddenly I'm more interested in reading more. I did not care for Echoes from the Edge or the Reapers trilogy, but his dragon stories are pretty interesting (from what I've read).

Well, there's the grand book haul, and now I just have three more things to say:

ONE


Spindle Dreams is on its way! I've hit a number of snags dealing with the cover and formatting, but I believe we're on top of all of that, and yesterday I ordered the official first proof copy to check for any last errors before we release the cover.

Thus, COVER REVEAL IS COMING SOON! I'm super stoked to finally be sharing this with you guys. It's taken way too much time to get to this point -- I'll be the first to say that.

TWO



I have joined the ranks of fairytale enthusiasts over at Fairy Tale Central! I was super excited to see this pet project of Christine, Arielle, and Faith take off a few months ago, and I've been pretty religious about keeping up with their posts. And this month, Hayden and I have joined up to help write posts and do odd jobs for our wonderful fairy godmothers. Since I'm mommy as well as writer, I will probably be posting there the least out of the five, but I count it such an honor to be included.

Fairytales are just awesome, ok?

And...

THREE


Today, July 5th, marks the official 22 week mark of my second pregnancy. I'm still in shock that God has blessed our family with another baby, and I can't wait to meet our little one in early November! It's going to be fun seeing our daughter be a big sister -- she loves babies!

God bless!

Friday, June 14, 2019

On the Topic of Fairytale Retellings


One thing fairytale retelling enthusiasts fight over more than anything else is adherence to the original fairytale. What makes this retelling good? What makes this one bad? Were enough of the original elements included to really classify the story as a retelling?

I am a self-declared fairytale retelling snob. And unashamed of that. The fantastical stories of the Grimm Brothers and Hans Christen Anderson and Charles Perrault and Andrew Lang and others have captured our attention since they first began appearing in print. Tales of beautiful princesses, brave knights and princes, mythical creatures, and magical beings enchant us just as much now as they did then.

Today's readers, however, are clamoring for more. More than just the well-known, well-loved fairytale. They want clever twists and fantastical elements and great characters to fall in love with all over again.

But why? Why are retellings growing so popular in today's modern age? It's because we're curious and demanding and unsatisfied. Many of the original fairytales included unrealistic, mind-bending characters and plot twists -- things that went beyond just a simple suspension of disbelief. There are also enough holes in the plot to make a golf course jealous. Fairytales, in their current state, are ripe for retelling.

And so we retell them. But we don't always retell them WELL. Or retell them at all, really.

(Ahead, some spoilers for the books and films I bring up. You have been warned.)

For example, I do not consider Melanie Dickerson's The Orphan's Wish to be a great Aladdin retelling. It was a fun story, pretty cliche IMHO for Dickerson (and thus predictable), but it failed in many of the original Aladdin elements.

Aladdin and the Wonderful Lamp is probably the most famous story from The Book of One Thousand and One Nights or The Arabian Nights. In one version of the tale, Aladdin is a poor, boy from the streets who lives with his mother. His sorcerer "uncle" shows up to ask Aladdin to help him get the genie's lamp from the magical cave -- which throws Aladdin into his own adventures with the lamp and winning the hand of the princess.

Melanie Dickerson's Aladdin, however, seems to resemble that story merely only in name. Aladdin is a poor boy who meets and falls in love with the duke's daughter at a young age. Then he goes off to make a name and fortune for himself, to become someone worthy of marrying the daughter. He finds employment for a friendly man and soon becomes a King Midas of sorts when his business ventures earn him the reputation of being able to turn whatever he touches into gold. The daughter, meanwhile, gets kidnapped (*sarcastic* surprise, surprise) and turns into a Swan Princess character where everyone believes her dead except her knight in shining armor.

Since Dickerson's retellings are mainly historical, I completely understand why she doesn't have the magical lamp and genie. However, I think she really didn't try to incorporate any of the original tale's elements in her story -- except the very obvious theft of Abu from Disney's 1992 film retelling. There's no lamp, no single object that anyone fights over, no struggle for political power, no main antagonist to stand against Aladdin as the sorcerer did, etc. Other than the names, there's very little in Dickerson's story for me to label it a true retelling of Aladdin.

On the contrary, Ella Enchanted has long been upheld as a wonderful Cinderella retelling. Why? Because Gail Carson Levine kept many of the wonderful elements that we all love about Cinderella -- more than just the main character's name. Her father falls on hard times and, after the death of his beloved wife, marries again. Ella gets two horrid stepsisters. However, she has a fairy godmother who steps in to help when everything seems bleak. Ella goes to the ball, falls in love with the prince, loses her shoe, and then lives happily ever after.

Ella Enchanted mixes some of those elements up, as in when they happen in the story, or how they happen. And Levine adds a delicious twist -- Ella has the curse of obedience. This presents a powerful ending to the tale when she must choose whether or not to marry her beloved prince and subject the both of them to someone else's controlling the throne through her.

That, my friends, is what a good fairytale retelling does. It retells the story. The description is literally in the name. It doesn't bleed everything we love about the original tale out of the story, but finds a new way to present things, to retell things.

And while I'm on the topic, I have a soap box I need to stand on. The Disney film adaptations, however classic, are also retellings. They're adapted from the original tale. They're not the original tale itself. So, please, please, please do NOT take Disney as the standard. Disney does a good job with including many of the original fairytale elements while still including a twist on the story. For example, Rapunzel has a REASON for having her long hair (it has magical healing powers that vanish when it's cut). The Little Mermaid actually gets a happy ending after a showdown with the sea witch.


Disney is not the original. Disney is a reteller. I'm not against Disney elements in a fairytale retelling (anyone who's read The Rose and the Balloon knows I've made my own nods to Disney), but Disney should not be the only thing from which you draw inspiration as you're crafting a retelling. Don't do what too many people do and just give us a watered-down version of Disney's retelling. Because those stories are out there. I've read a good number of them and have been sorely disappointed.

Aladdin has a lamp. Cinderella goes to the ball. The Little Mermaid loses her voice in exchange for legs. Beauty is trapped in the Beast's castle after trading places with her father. The Goose Girl is forced to switch identities with a servant. Snow White "dies" while eating an apple. Little Red Riding Hood wears a red cape and encounters a wolf. These elements alone do not create the fairytale. They are just the beginning of the fairytale, an element that introduces us to the rest of the story. If the original elements cease to be there, that story then ceases to be a retelling. 

A retelling RETELLS. If it doesn't retell, then it's just another story. If it steals everything from Disney, that's plagiarism.

I realize there will be people who disagree with me on this. And I'm okay with that. But I will stand firm on my belief that a good fairytale retelling MUST adhere to the original tale in more than just the main character's name. A good retelling takes the original elements and finds a new way to interpret and present them.

God bless!

Friday, May 31, 2019

Why HTTYD is the Greatest of All Time

(Or The Chapter in Which I Gush About My Favorite Animated Films)

I realize the hype for Hidden World is dying down since it's been out for quite a few months now; however, since I just saw it this week, my hype is activated fiercely all over again. Thus, this post.


The HTTYD films have held a special spot in my life since their beginning. I remember watching the first one with my sisters and feeling incredibly impressed as a writer by the storyline and characters. When we were dating, everyone joked about how Jed and I are just like Hiccup and Astrid, and so my husband sang Valka and Stoick's song (For the Dancing and the Dreaming) to me in his proposal.

I've grown up with these movies. When Hiccup was a boy and figuring out his spot in Berk among dragon-fighting vikings, I was young and trying to figure out what God wanted me to do with my life. When he had grown and matured and was off facing new frontiers and dangers, I was growing and facing new challenges with college and new relationships.

Now, I'm forced to admit the end of a fantastic film trilogy, and I couldn't be more emotionally... well, everything.

But what was it about this third film, about this whole trilogy, that spoke to me (to millions of people, honestly), and thus concluded IMHO the greatest animated film trilogy of all time?

Let's list the reasons, shall we?

(THE UNHOLY OFFSPRING OF LIGHTNING AND DEATH ITSELF -- SPOILERS AHEAD)

1. Hiccup


Yes, he's the cliche and loved stereotype of the underdog, and we've loved rooting for the underdog for generations. Think of Spiderman, Frodo, Rocky, Cinderella, Po the Kung Fu Panda... etc. etc. etc. We love rooting for the character who seems least likely to succeed.

Hiccup doesn't fit in with his world of vikings who live to kill dragons. His compassion singles him out as the only viking who wouldn't kill a dragon. Underdog heroes are supposed to go through hard times and come out on the other side changed and wiser. And Hiccup follows this pattern -- except for one notable difference. HE LOSES HIS LEG.

We're in a viking story, yes. It is common for vikings to lose limbs in battle. But what other story allows its hero to end the tale physically maimed? Honestly, this was the one thing that impressed me so much about the first film. Hiccup doesn't walk away from his big battle unscathed. That is incredibly daring as a storyteller. Because most fans don't forgive you for hurting their precious cinnamon roll. I mean, even Marvel gave Thor back his eye and didn't condemn him to wearing an eye patch (like Fury and Odin) for the rest of his life.

But Hiccup proves to us that it's not bad to live a life like that, missing a limb. He goes on to do all sorts of amazing things, and we at times forget that he only has one leg. People with physical disabilities may have to do things differently, but that doesn't make them different or inept. Hiccup saves the dragons and takes care of an entire village, and those aren't small accomplishments.

One of my absolute favorite scenes in the films is at the end of the first film, when Hiccup and Toothless walk to the door together and Toothless's maimed tail sweeps in front of Hiccup's maimed leg; until that point, Hiccup had been helping Toothless get around with his injured tail. Now, Toothless has the chance to help Hiccup in the same way. Like dragon, like human -- best friends til the end, they both have the same injury and are dependent on one another.

Which brings me encroaching into my next point...

~*~

2. Hiccup and Toothless


Every good story NEEDS irreplaceable friendships like this. I mean, have you SEEN them interact? Toothless is a number of things to Hiccup; basically, his dog and best friend, but also his conscience at times, and his wingman (no pun intended).

I don't think I need to ultra-belabor this point, since anyone who's seen the films knows how Toothless and Hiccup are the bestest of buddies. They've got each others' backs, wrestle and have the best of times together, and are just all-around adorable together.

I cried when I first saw the scene when Hiccup chooses to send the dragons away. Toothless had been such a big part of his life, the character that introduced the biggest turning point in Hiccup's life, the reason why Hiccup first began trying to change people's minds about dragons. Following their journey together just made it more emotionally devastating when Hiccup chooses to let him go. He knows the decision is in the dragons' best interest, but it's still hard to send your best friend away.


And that scene when Hiccup chooses to sacrifice himself so that the Light Fury can save Toothless? *cue tears* I'm a mess.

~*~

3. Hiccup and Astrid


We start off with the cliche of the underdog crushing on the beautiful heroine who's brave, talented, and popular. But then Hiccup's place as chief's son and dragon tamer catapults him into a big place in Berk, and he faces bigger challenges than just how to woo his girl.

After the first film, we get to see Hiccup and Astrid working together, fighting for the same goals. I was so afraid that the filmmakers would fall into the easy, cliched trap of making them have a stupid fight and at angst for the majority of the second and third films. Yes, they're both stubborn, but you can have a great stubborn couple who doesn't fight about stupid things just for dramatic storytelling purposes. GET OVER IT AND GET CREATIVE. Couples can have problems with more than just lovers' spats. THANK YOU.

Also, they don't stay a teenaged couple. This is one of the things I love so much about them, honestly. In the third film, Gobber (among others) is not so subtly hinting that they need to get married. Both Hiccup and Astrid know that they're going to get married one day, but they both agree they're currently not ready for it. But that doesn't put a damper on their relationship. They don't fight about it; they don't avoid it in conversation and make things awkward. They come to an easy, mutual agreement. Then, once they've saved the dragons and their village, they both know they've matured and they're ready for that next step. For them, marriage was a big deal. It wasn't something they wanted to jump into lightly. It was so nice to see a relationship like theirs mature into what it did.

Great couples work together, and that's exactly what Hiccup and Astrid do.

AND THEIR KIDS.


Their kids are adorable, and I think it broke every one of my heartstrings to see the kids getting to share rides with their parents and the dragons at the end of the trilogy. After so much, it was so satisfying to see Hiccup introduce his children to his best friend.

~*~

4. Astrid


This is a cliche that drives me batty in fiction and film ALL THE TIME. A heroine often has spunk and guts UNTIL her man wins her heart, and then she becomes a whiny, crying, helpless, defenseless wimp who relies on her man for everything and gives him emotional pain to boot. Astrid doesn't do any of that. And for that, I love her.

I'll admit: I really didn't care for Astrid so much in the first film. It felt like Dreamworks was trying to impress too much of the whole strong-feminist vibe (which I'm not fond of), and I was afraid honestly of what they might do to her character. Too often (and this is another cliche I hate), strong feminist characters clash with their love interests, so that most of the story becomes their butting heads over every decision.

Astrid encourages Hiccup, follows him when he runs from a hard conversation with his dad, and supports his decisions even when they seem crazy. When he goes out to confront Drago, Astrid is right there with him. In the third film, she impressed me muchly as she stepped into the role of really becoming Hiccup's partner. He tends to think less of himself when comparing himself to his father, and yet she reminds him he can still do the right thing. Even when she didn't believe that the Hidden World existed, she still chose to support him in moving the village of Berk to a new location. How many stubborn, modern heroines do you see doing that? She doesn't fight against him at all. She demands that the people of Berk listen to him before writing off his ideas as insane or unpractical.

And have you seen her in battle? She's handy with an axe as we're shown in the first film, but by the third film, she's hefting around swords and other weapons with ease. She isn't a damsel in distress, but a perfect companion to Hiccup who can take care of herself, take care of him, but also step down when he needs the spotlight.

Astrid is Hiccup's friend, confidante, encourager... really, the perfect better half to complete him. And Hiccup, in many ways, completes her.

~*~

5. Grimmel


I had my doubts about Grimmel, I'll admit. We've struggled against the Red Death (or Green Death, if you go by John Powell), and against Drago, the dragon seducer and slayer. There have been internal and external battles, fights on a small and large scale. We needed something big, something different, for the last film, and the filmmakers gave us Grimmel.

Grimmel is a hunter; he's smart, he likes getting into the mind of his prey. He knows dragons inside and out, and he enjoys killing them. He's very much like Drago, but not quite. While Drago was driven by personal fury to revenge his lost arm and seize control by whatever means necessary, Grimmel didn't have that kind of drive. He kept to the hunt just for the love of it. Dragons had ceased to be actual living creatures to him; they were merely tools and things to be slain at will. And, when people got in his way, they became similar things. He wasn't above double-crossing people to get what he wanted.

However, this is the real reason why I think Grimmel is a better villain than Drago. Personal theory alert. When talking to Hiccup about his past, Grimmel says when he was a boy he came across a night fury sleeping in the woods. And he killed it. The fame that kill gave him drove him to hunt down every night fury he could, resulting in the near-extinction of that dragon. Think about it. His origin story is the same as Hiccup's -- except for the result. Where Hiccup showed compassion and set Toothless free, Grimmel drove his knife home and triumphed over the dead night fury. Grimmel was what Hiccup would have become if he had killed Toothless. MIND BLOWN.

Hiccup wanted acceptance from his father and the rest of the vikings. So, probably, did Grimmel. His physical stature is not that different from Hiccup's; they're both fairly skinny and wiry with not-so-scary features. It could be that Grimmel was ridiculed as a child, didn't fit in with the rest of the viking teens, just as Hiccup had been. It was by killing the night fury that he finally found the acceptance he craved. If Hiccup had killed Toothless, he would have gotten the same fame in Berk. He would have then believed that his acceptance depended on the number of dragon heads he brought back to the village. In battling Grimmel, Hiccup had to battle against what he could have become.

And that, my friends, is my argument for why Grimmel is the best villain of the trilogy.

~*~

6. Dragons


Anyone who knows me knows I love dragons. We need more dragon stories in this world. And I really can't say any more to support this point.


Just dragons. 

~*~

I could go on and on about these films, and why I love them so much, but I think I should cut it off here before I get myself into writing a novel. There are great minor characters, amazing action sequences, too many quotable lines, etc. etc. etc. We could be here all day. The points I've listed above, though, are definitely the ones I feel most passionate about.

To be honest, I've not read the HTTYD books yet (or seen the TV series), so I do approach these films with a decent amount of bias. However, I do believe that this may be one great and rare exception when the movies were better than the books. *le gasp* Yes, I said it.

What do you think? Did you enjoy The Hidden World? What are some of your favorite moments/characters from the trilogy? Let me know in the comments below!

God bless!

Thursday, May 2, 2019

What Happened at Camp...

Camp NaNo, to be exact.

I began the month of April with grand plans to add a whopping 50K words onto The Twelfth Kingdom. Did I accomplish my goal?

Nope.


I didn't even come anywhere close. In the end, I wrote a whopping total of 15,052 words -- not even half of my original goal. I discovered this last camp that it is difficult to pen down time to write when you're a mom. Last November, it was easier to get my 50K for NaNo since my little girl was taking more naps and wasn't as mobile. NOW she's a year old (!!), getting into everything, and down to only two naps a day.

In addition to more parenting time, I also spent a great deal of April packing. My husband and I have been praying about moving for a couple months now, and the Lord has provided a place just across town that will work so  much better for our family! And it has central air! I cannot even begin to explain how excited I am about that in this southern heat. #truenortherngirl Getting ready to move took up a lot of time -- time that I had intended to spend writing.

And yet, oddly enough, I don't feel that I failed Camp NaNo.

For one thing, Camp NaNo is designed to be much more flexible than the official NaNo in November. It gives writers a chance to set their own goals and work at their own pace, rather than the set 1667 words every day regime. For some people (like it was for me last month), writing 50K in 30 days just isn't feasible. It's downright impossible. That's where Camp NaNo lends a helping hand by letting you pick your own goal, something that IS attainable.

I hadn't counted on a crazy month and having to pack up our house during Camp. And that's why I'm very thankful for the flexibility that month provides.

Additionally, I WROTE. It may not have been 50K, but I WROTE. And that's what writers do. Camp NaNo and NaNo official are meant to be months to help writers TO WRITE. The only way you can fail any NaNo is to not write at all. And for me, last month added another 15K onto TK. That's 15K I didn't have before. And that's 15K closer to the end of the story.

And to me, that's a win right there, folks.

Did you participate in Camp NaNo this year? How did the writing go for you? Let me know in the comments!

God bless!