Showing posts with label The Chronicles of Narnia. Show all posts
Showing posts with label The Chronicles of Narnia. Show all posts

Friday, May 30, 2014

My Top 10 Fantasy Books

BIG NEWS! I will be participating in Jack Lewis Baillot's cover reveal for A Test of Loyalty tomorrow, so be sure to mark your calendars for the occasion! 

Well, in honor of the excitement, Jack has asked us to post about our favorite fantasy book. Because I like reading so much, I don't have just one. Just as you'd expect. So, to keep this short, I've decided to compile a list of my top ten favorite fantasy books. And by "fantasy" I mean a made-up land in which there exists a conglomeration of interesting characters. I have to be specific about books otherwise, I'd never get just 10 books onto this list. Also, if you ask me in a week or two, this list will probably change. Probably... no, most likely. And I'm *cough* adapting the list to fit mostly series. What? Don't judge me. I'm sure plenty of you would do the same.

Ready?


10. Lloyd Alexander's The Chronicles of Prydain

Very epic tales. There are five books in all, but I think the last one, The High King, is my favorite. Lloyd Alexander is considered a genius in the fantasy field, and I find his books quite enjoyable. His Westmark trilogy is also very fun (with the exception of a few unprintable words).


9. Wayne Thomas Batson's The Door Within trilogy

Truth be told, my favorite books from Wayne Thomas Batson are his Pirate Adventures, and I highly recommend them. However, The Door Within trilogy is also very good. I love the allegory Mr. Batson weaves into the story.

8. Jeri Massi's Bracken Trilogy 

Yet another trilogy: The Bridge, Crown and Jewel, and Two Collars. I can't really say how long these have been some of my favorite books. I must have read The Bridge fifteen times since I was nine. 


7. Andrew Peterson's Wingfeather Saga

Who's familiar with these books? I simply can't wait for the fourth book, The Warden and the Wolf King. Seriously, this guy has a way with words. "Adventure. Peril. Lost Jewels. And the Fearsome Toothy Cows of Skree." *grins*


6. Jack Lewis Baillot's Loyalty Trilogy

Well, well, well... how in the world did *this* trilogy get onto my list? Hmm... *winks* The more I read of Jack's work, the more I love it. Yes, I'm super excited to be able to show you the cover for the second book tomorrow, and you really need to read these. NOW.


5. Rick Barry's Kiriath's Quest

Hey look! I'm capable of having a favorite fantasy book that isn't a series! Too bad, though, because I'd love to see where Rick Barry would take Kiriath after the finish of this novel. You could say that I'm a little biased toward this book because Kiriath and I almost share the same name. Well, the first four letters are the same. But if you want an epic quest chock full of friendship and adventure (and no magic) then this is the book for you.


4. Chuck Black's Knights of Arrethtrae

Technically, this should include the prequel/sequel/whatever series The Kingdom Series. Short, but powerful, you can't help but love all twelve books. Personally, Sir Dalton and Lady Carliss are my favorite of the twelve, but they're all really good.


3. Donita K. Paul's DragonKeeper Chronicles

My sisters and I found this series in a Christian book catalog, and as we were just getting into fantasy stories, we thought we'd give this a go. The result? We LOVED it! Dragons, quests, humor... what's not to like?


2. C.S. Lewis's The Chronicles of Narnia

What fantasy list could be complete without the awesome tales from C.S. Lewis? I absobloominglutley love this series in every way. I have great chunks of passages memorized, even though technically I've only read through the series twice. Yeah, twice. I know; it's kinda embarrassing. But I've listened to the audio drama by Focus on the Family's Radio Theatre a dozen gazillion times. And seen the movies. And... yada, yada, yada. Narnia fan all the way.


1. J.R.R. Tolkien's The Lord of the Rings

And what comes in at Numero Uno? Tolkien's epic world of elves, hobbits, dragons, kings, and dwarves. And with The Lord of the Rings comes The Hobbit and The Silmarillion, for no trek through Middle-Earth would be complete without visiting those tales. I'm not an expert on all things Tolkien, but I do consider myself an avid fan nonetheless. 

Be sure to drop by tomorrow to see the cover reveal!

God bless!

Monday, September 24, 2012

Magic: Harry Potter Vs. LOTR & Narnia... And What God Says About It


Hey there, readers! This is the post for which you've all been waiting! The second part of my thoughts on LOTR and Narnia, and ultimately, the issue of magic. And I do sincerely apologize for taking so long to post this.

A quick warning: Be prepared to do a lot of reading. This is a really long post. :)

Many people I know have said (and I quote directly from an acquaintance not on blogger), “What's the difference between Harry Potter and Lord of the Rings? They both have the same kind of magic in them.” It's a question I've long wanted to answer, so, as you can guess, this post is mainly about contrasting the magic in LOTR/Narnia and Harry Potter.

Theoden and Eowyn
I've wanted to study this issue for a long time now and truly discover the truth about it. I sort of knew that there was a difference, but if you asked me, I would only respond with vague answers. You see, I really wasn't sure. But I was certain there was a difference. I mean, Harry Potter was just downright evil, and Lord of the Rings and Narnia were... totally different, right? They just had to be. But were they? To tell you the truth, I was afraid of getting into study and finding out that the magic in LOTR and Narnia was evil, so for the longest time I kept pushing the research off. I am ashamed to admit that I didn't want to know about it if it was going to be bad.

Then Petie posted her thoughts on LOTR and Narnia, and the question of magic was once again pushed into the front of my mind. “This is it, Kiri,” I told myself. “Stop making excuses. Just research it.”

So, I did.

And I am not sorry that I did.

You know what I found? Oh, yes. I found a lot. This topic is much bigger than most people think it to be, and there's so much that can be researched and found.

Samwise
Okay, before I go any further, I must put this note in: What I say here is not meant to change your opinions toward Narnia and Lord of the Rings. I am not trying to attack or challenge your beliefs. I respect each and every one of your opinions, and I realize that choice is between you, your parents, and the Lord. Here I am simply trying to answer the question and share my own research and what the Lord has impressed upon my heart.

Please also know this: You cannot automatically say just because there's magic in something, you must have nothing to do with it. I am not promoting magic here, but please realize that if that (steadfastly avoiding anything remotely connected to magic) were the case, we should not be able to read the Bible, which has many stories in it concerning witchcraft (1 Samuel 28 and Acts 8 to name a few), but all are viewed in a bad light. Sorcery exists, I hate to admit it, but it's real. It is evil, and must be seen as such.

I add this warning as well: I shall be discussing things that are deeper than a G level. If you are squeamish, I would recommend you proceed or don't proceed with your own discretion.

So, are you ready? In a nutshell, these are the magic differences between LOTR/Narnia and Harry Potter:

As the main character of the Harry Potter stories, Harry Potter is a human boy practicing occult magick for his own benefit with copyable spells in a fictionalized part of our world. The Lord of the Rings and Narnia stories take place in a make believe world where magic is a power given by a higher being to certain nonhuman, secondary characters to be used for the good of others.

Now, let's break that down a bit into various points...

1. The Source of the Magic

The magic in LOTR and Narnia is very, very similar and thus I will be linking it together in many of the following points, first describing the situation in Harry Potter and then following up with a contrast in LOTR and Narnia. When studying the issue of magic, one of the first things you must look to is the source of that magic. Should I write that again in all caps? THE SOURCE!!! Where did the magic come from? This is one of the biggest and most important points.

The problem with the English language is that we use one word to mean so many different things. Consider the simple, little word ball. Usually, nowadays when we hear that word we think of a fun, bouncy plaything, right? Jane Austen wouldn't have thought of such a plaything, but rather a party in which dancing was a common occurrence. Look at two different definitions of the word train: to educate and to teach; also, a string of railroad cars powered by steam, diesel fuel, or electricity. The same thing happens with the word magic. However, we do have a small change to the spelling of the word at times to help us distinguish what exactly we're talking about. Add a “k” on the end and we now have the word magick, which is not the same as magic. Magick (with a “k”) is what is in Harry Potter (more on that later).

God clearly condemns witchcraft in many passages in the Bible, one of the most famous being Deuteronomy 18:10-12: “There shall not be found among you any one that maketh his son or his daughter to pass through the fire, or that useth divination, or an observer of times, or an enchanter, or a witch, or a charmer, or a consulter with familiar spirits, or a wizard, or a necromancer. For all that do these things are an abomination unto the Lord: and because of these abominations the Lord thy God doth drive them out from before thee.” (more on this in a bit)

The magick in the stories of Harry Potter Wikipedia defines as “a natural force that can be used to override the usual laws of nature.” The spells and chants that Harry Potter indulges in has been directly linked with occult magick, witchcraft and sorcery that gets its power from the king of darkness himself, Satan. J. K. Rowling has claimed that the magick in her works is nothing more than a make believe magic, a magic that she believes doesn't exist, but the type of magick in Harry Potter is real. Occult magick IS real. So... how do I know it's occult magick? Well, let's do some definitions here: occult magick includes the practices of divination, astrology, witchcraft, charms, spells, wizardry, and necromancy (communicating with the dead). Harry goes to school to learn these things. Spells that Harry casts consist of the gesturing of a wand combined with a verbal or mental incantation; they are an every day occurrence, along with charms, used on both friends and enemies in and out of the school. Some of Harry's friends consist of dead spirits who have been summoned to the present, and one of his classes is distinctly labeled as a divination class.

Gandalf
In contrast, the Wikipedia page on Magic in Middle Earth (the fantasy world in LOTR) states that magic here is defined as mystical, paranormal, or supernatural activity. This magic bears no resemblance to occult magick, and both Tolkien and Lewis describe it as coming from a higher being, a Creator. In Lord of the Rings, this higher being (whom Tolkien calls Iluvatar, meaning “Father of All”) gives magic to his servants (namely the wizards, and specifically Gandalf and Saruman) to do good and benefit the people. Iluvatar is a god figure, the god figure in LOTR, although he is never mentioned by name in the series. Readers can become acquainted with him in The Silmarillion, which I would recommend reading. These wizards (more on wizards in users of magic) cannot use the power for their own purposes, and when Saruman tries to do just that, he does not live long and sees a most bitter end. Gandalf, on the other hand, uses the power given him to help fight the coming darkness and destroy the evil that would pollute the world. In the end, good prevails and Gandalf's denouement is one of happiness. 

In Narnia, Aslan's powers are from his father, the Great King; again, a higher being who is shown as the one true god and Creator of Narnia. Aslan mentions the Deep Magic in Narnia many times, but you must realize that what is meant by “the Deep Magic” is supernatural power, which does indeed exist! Christ used supernatural power to raise Lazarus from the dead. In the Companion to Narnia, we learn that the Deep Magic is twofold: the Deep Magic and the Deeper Magic. The Deep Magic is defined as "the effects of justice in a created word, existing from the dawn of time." The Deeper Magic is eternal, from before the dawn of time, connoting a self sacrifice.

But how is it that I believe the magic in Narnia and LOTR to be good, while in Harry Potter it is bad? Let's go back to the verses in Deuteronomy and define each of the things that God condemns. The practice of having children pass through the fire (also known as febration) was common in the pagan nations around Israel back in Bible times. The parents who sent their sons and daughters through the flames did so to obtain an oracle or to avert national disaster. The fire was a purification process, namely to purify something by sacrifice, and bluntly, it was a human sacrifice by fire. Ugh! Is anyone else repressing disgusted shudders at this? Now, I'm not aware that Harry has to pass through any fire at any time in the series to purify himself, but as God had Moses mention febration in the verse, I thought I should mention it as well.

Divination Noah Webster gives this definition: the act of divining; a foretelling future events, or discovering things secret or obscure, by the aid of superior beings, or by other than human means. But wait! Superior beings? Can't that be the same as Aslan's father and Tolkien's Iluvatar? Let's keep reading. The ancient heathen philosophers divided divination into two kinds, natural and artificial. Natural divination was supposed to be effected by a kind of inspiration or divine afflatus; artificial divination was effected by certain rites, experiments or observations, as by sacrifices, cakes, flour, wine, observation of entrails, flight of birds, lots, verses, omens, position of the stars, etc. Occult magick is this artificial divination. I'm certain that Harry Potter wouldn't have been studying divination and learning by the aid of the One who we see as the Superior Being in our world, the Lord God. And if it is not of God, it is of the devil.

White Witch
An observer of times. It's wrong to look at clocks? No, I don't think that's what's meant here. This is also translated as “one who practices witchcraft.” Make sense now? But what is witchcraft? Back to handy dandy Webster: the practices of witches; sorcery; enchantments; intercourse with the devil.

The next couple of ones listed in Deuteronomy are grouped together with the times observer: an enchanter, a witch, and a charmer. These are also respectively translated as “one who interprets omens, a sorcerer, and a one who casts a spell.” I don't think it's necessary for me to give more than just the definitions. Enchanter: one who enchants; one who has spirits and demons at his command; one who practices enchantment, or pretends to perform surprising things by the agency of demons. Witch: a woman who, by compact with the devil, practices sorcery or enchantment. Charmer: one that charms, or has power to charm; one that uses or has the power of enchantment. Sorcerer: a conjurer; an enchanter; a magician.

But we're not quite done yet with Deuteronomy. Moses also lists “a consulter with familiar spirits, or a wizard, or a necromancer.” Again, translated also as: “a medium, or a spiritist, or who calls up the dead.” A wizard is described as an enchanter and a sorcerer. Necromancer: one who pretends to foretell future events by holding converse with departed spirits; a conjurer. Please notice that Deuteronomy 18: 11 specifically says “familiar spirits.” Those who take part in this magick are not doing so by accident. The spirits, to them, are familiar, and they know exactly what they're doing. I realize I'm posting a lot of definitions, but I want you to understand what I'm talking about. This is what God is condemning. It's basically performing by the power of the devil. That's magick. And that's exactly what's in Harry Potter.

Okay, are you still with me? I realize that was a tremendously long point, but the source of the magic really is the key difference between Harry Potter and LOTR/Narnia.

Although I really could just stop here as this issue of the source of the magic is the biggest and most imporant issue overall, let's keep going... there was some more stuff that I dug up, so I'm not done yet.

2. The Characters Who Use Magic

Harry Potter
Harry Potter is a human boy; there can be no mistaking that. He is born in England to human parents and, for the most part, lives with other humans. As he is the main character of the Harry Potter series, this shows magick as being a (I quote) “safe and lawful occupation,” thus encouraging readers to become more interested in it. Because Harry is their peer and role model, readers will strive to be like him, and as Harry uses magick and it's fine for him to do so, they assume the same about themselves. Pretty much this is the reasoning: Harry is human, just as we are, and because Harry is just like us, we can be just like him. Unfortunately, to be just like Harry is to practice the dark magick of the devil. To give you a statistic, a poll was taken a few years ago in which one out of ten children admitted that they were more interested in witchcraft after reading Harry Potter. Human characters acting as peers and role models and using magick are a dangerous thing as it encourages readers in the wrong directions.

Look at Lord of the Rings next. No peers are using magick or magic, but rather it is the mentor figures who have power. Gandalf and Saruman are called wizards. GASP! They're called wizards! Does that automatically make them bad? Before you judge, look at the context in which the word “wizard” is used. Tolkien describes Gandalf as one of the Istari, meaning messenger. The Istari were given power from the Creator (Iluvatar) to help and use for the benefit of others (look at purpose of magic), and these messengers do not call themselves “wizards.” When they appeared in Middle Earth, men were confused by their existence, as their power was something they could not understand. It was men who, in their ignorance, gave the Istari the name of wizards. The magic of these “wizards” is nothing like the occult magick of Harry Potter. Instead, it is like the power that Christ gave to his disciples, allowing them the ability to heal the sick and injured, cast out demons, and perform other miracles in His name.

Galadriel
But what of the Elves? They live in secluded places away from men and dwarves and hobbits and are seen by every other race to be oh so mysterious. They have magic, right? To answer bluntly, no. Not really. Their magic (I'm quoting here) “in the context of Middle Earth is in no way connected to supernatural power. It is a natural attribute, one that is given only to Elves, not humans.” Tolkien disliked using the word magic to describe the elves' natural abilities, but there wasn't another word to describe it. The other races (men, dwarves, orcs, and hobbits) called the elves' skill magic because they themselves couldn't understand it.

Moving on to Narnia. Like LOTR, magic is used by secondary, non-human characters. Aslan is the Great Lion, the Son of the Emperor over the Sea, the Real King of Narnia. As I have said before, Aslan is a god figure (please read the section on god figures in my earlier post), and I think all of this qualifies him as not a human.

So, what other Narnian characters use magic? Coriakin (from Voyage of the Dawn Treader) uses magic, is called a magician (and the Oppressor by the Dufflepods), and is a star. Yes, I said “star.” Coriakin may be wizard-like in appearance, but Lewis made him that way to separate him from the normal, human characters in his stories. The white beard and long robes are typical elements in a wizard's appearance, so that's how Lewis made Coriakin. Ramandu, in the same Narnia book (Dawn Treader), is also a star and the same things apply to him.

Oreius
Then we have centaurs. Glenstorm is a centaur gifted with the ability to prophesy, and there are others who have the gift of prophecy as well. However, we must realize that the gift of prophecy given by Aslan (the Superior Being) to the centaurs is the same as the gift of prophecy given by God that Paul mentions in Romans 12.

Lewis was careful to include a cautionary note with the magic in his stories. Some of the characters (Lucy, Digory, and others) use magic objects in the stories. For instance, Digory uses the magic rings in The Magician's Nephew to go to the wood between the worlds and get Polly after Uncle Andrew sent her there. However, this is where the cautionary note comes in. Later, as Digory and Polly explore the desolate world of Charn, Digory rings the golden bell and wakes the evil queen, Jadis. The same thing happens with Lucy: she reads a spell out of Coriakin's book to free the Dufflepods from their invisibleness but falls to temptation in the same book and eavesdrops wrongly on her friends. Magic can bring about both good and bad results and is not something that should be taken lightly.

3. The Realm of Magic

The realm of magic is closely linked with the characters who use magic. And with the knowledge of magic's existence. Actually, these points are all pretty much linked together. Harry Potter takes place in a fictionalized part of our own, real world. The school Hogwarts that Harry attends is found in Scotland and is only accessible to wizards and other “magical” creatures. Humans, or “Muggles” in Harry's vocabulary, cannot get to this wizard world, but rather, they see only ruins of an old castle and several warnings of danger.

The Pevensies discovering Narnia
Okay, so Harry Potter lived in England. So what? This (and I quote here) “brings the practice of magic imaginatively far closer to the personal condition and experience of the young reader.” Because Harry lives in the same world that we do, there is a fine to no line between what is real and what is fantasy. I've said before, the magick Harry practices is real, quite real. Going back to what I said about peers: because Harry Potter is living in the same world we live in, we can do anything Harry does. That's the danger.

Narnia and LOTR both take place in make believe worlds, worlds that C. S. Lewis and J. R. R. Tolkien respectively made up. As much as some of us would like it, we cannot go to Middle Earth or Narnia. There is a thick, definite line between reality and fantasy here, people. The magic here is, again, shown in a light where it cannot be copied.

4. The Knowledge of Magic's Existence

In the world of Hogwarts, the knowledge of magic is kept as a secret. Wizards and witches are encouraged not to show their powers to those who are not involved in magic, or muggles (humans). This corresponds directly with the occult idea, as the word “occult” literally means “hidden.” Magic is the main theme throughout the story and has been described as Harry's salvation, his means of getting through hard times and winning in the end.

The existence of magic is common knowledge in Narnia and Middle Earth. It is limited as to who can use it, but the knowledge that it exists and is real is openly acknowledged. However, though magic is common knowledge, it is used sparingly, and the characters do not depend on the magic to help them through their difficulties. The trials and battles they fight on their own, without any assistance from magic.

Aslan and Edmund
This point isn't necessarily as important as the source of the magic, but as it is a difference in the issue of magic between Harry Potter and Lord of the Rings/Narnia, I deemed it important based on a passage in 2 Corinthians 4. God wants our actions to be out in the light, as things often done in hiding are of a darker nature. True, I realize that some actions we do are meant to be secret (I'm talking about giving without thought of reparation or glory), but be careful about something that is so solidly secreted under lock and key. What is it and what's the purpose of its being secret? There's where you have to look.

5. The Purpose in Using Magic

This links right up with the two points flanking this one: the knowledge of magic and the acquisition of magic. Harry Potter learns magick to accomplish his own goals. It's his salvation, his means of getting things done. Magic is his whole life, in a sense. Whatever he does with magick is done with the intent of bringing benefit to himself. Sure, he may save his world once or twice during the course of the novels, but he does so by the use of magick and by the power of the devil, the master of chaos and destruction. Now, I'm not sure about you, but that seems a little backwards to me.

In contrast, Gandalf from LOTR is given power for the express purpose of helping and aiding others. The power given to the wizards by the Creator Illuvatar is meant to benefit those with whom the wizards come in contact. The same goes for Aslan in Narnia: his powers as the Son of the Emperor over the sea are used for the good of others. Those in LOTR and Narnia who use power for their own benefit, such as Saruman and the White Witch, do so at their own peril and are destroyed in the end.

Orcs marching to Helm's Deep

To wrap up this point, even if you don't look at the all-important issue of the source of the magic, I view Harry's powers as bad because he uses them for selfish reasons. How can anything be good when it's used in selfishness? Granted, this point isn't very big in the overall issue of magic and magick, but it is a big difference between the power used in LOTR/Narnia and Harry Potter.

6. The Acquisition of Magic

Harry Potter learns how to perform magick throughout the entire series. Indeed, the main idea of the books and films is his education in the world of magick. He goes to a boarding school, Hogwarts, and is instructed in the ways of magick. Thus, by following Harry's adventures in that boarding school, the reader learns right along with him about the magick, what it's used for, and, the most dangerous aspect, how to use it themselves. At the risk of sounding redundant, the magick in Harry Potter is real! That fact cannot be ignored. It's dangerous and evil, and must be seen as such.
Legolas

Whereas, the magical characters in Narnia and LOTR already have their magic when the stories take place, and the reader is not given details on how they acquired that magic nor are they encouraged to dwell on the actual process of getting magic. No character within any of the stories goes through the learning process of how to use magic.

Again, not a huge point, but one that definitely is worth mentioning.

Conclusion

If you're still reading this, I applaud you for getting this far. I realize that this was a rather lengthy post, so I'll hurry up and end this before I turn this into a novel. Please remember, I am not trying to challenge anyone's beliefs or convictions. I am simply presenting my research. Questions, comments... post as many as you would like, and I will do my best to respond accordingly.

The Fellowship of the Ring

As a final word, I would encourage you all not to take my word as golden truth. Look it up for yourselves. Discuss it with your parents. Pray about it. Dig into the Word of God and search some of these points out for yourself.

The following are links I used as part of my research for this post (other sources are listed in this post):












Thanks for reading!

Sunday, September 23, 2012

Coming Soon!


I just wanted to let you all know that I am done with my magic post and will be hopefully posting it tomorrow (unless something else comes up, and then it'll be posted on Tuesday)! It's taken a lot of prayer and research to get me to this point, but I'm finally done! 

I do want to apologize for taking so long to write this magic post and get it up, but life hasn't dealt kindly with me these last few months that I've been working on it. I really wanted to be able to post it back in July, right as a follow-up of my LOTR & Narnia thoughts post. But, yeah... we all see how that worked out.

Anywho, be on the lookout for my magic post - coming soon!

God bless! 

Monday, August 27, 2012

EDBP: Movie Review - The Lion, the Witch, and the Wardrobe


“Perhaps we've been incorrectly labeled.”


(When Kiri's flesh and Kiri's bone {of my fingers} write of film reviews in throne, please note spoilers will be anything but done.... hmm. You know that doesn't really rhyme. Ugh, how do I call myself a poet? Dash it all!)

I know you must be getting tired of those spoiler warnings I've been posting at the beginning of every film review I've done this week, but I really think it only fair to warn you. I'm terrible at putting in spoilers, intentionally and unintentionally. So please just bear with me. I won't give away the entire story, but I can't help writing about what happens during the course of the movie in every one of my reviews. 

So, The Chronicles of Narnia: The Lion the Witch, and the Wardrobe... another long movie title. But I suppose it's acceptable considering that it's the first (or second, depending if you go in book order or publishing order) in the series and that's what C. S. Lewis called it. You should know now that I am a rather large fan of the Narnia stories. They are beautifully crafted, include a grand scattering of humor, have characters we can like and relate to, and so much more! However, this post is not on the Narnia stories, but rather the Disney movie based on the book C. S. Lewis wrote first: The Lion, the Witch, and the Wardrobe.

For those of you who don't know what this story is about... *sigh* You don't know what you're missing. The Lion, the Witch, and the Wardrobe follows the adventures of four children finding a fantasy land by traveling through a wardrobe. When their home in Finchley, England is threatened due to German planes soaring overhead, the Pevensie children are sent to the countryside to the safety of an old professor's large house. And it is here in this house that they find the wardrobe that has more than just wood at the back. In fact, it has woods.


Lucy is the youngest and first of the the four Pevensie children to find Narnia by going through the wardrobe. She meets the faun, Mr. Tumnus, and has a delightful tea with him until he confesses that he was going to kidnap her and take her to the White Witch (more on her later). But he decides to let her go and keep their friendship intact. Once back in England, Lucy tells her siblings of her adventure, but none of them believe her. Lucy refuses to believe that Mr. Tumnus and Narnia were only part of her imagination. Lucy is a good character, and I love the way Georgie portrayed her in the movie. She's cute, fun, energetic, and everything that you could imagine Lucy to be.


Edmund is the third of the Pevensie children and the second to go to Narnia. Following Lucy one night for the sole purpose of teasing her again, Edmund finds himself in the middle of a wintry woods, with no Lucy to be found. He happens upon the White Witch, who proclaims herself the queen of Narnia, and he believes the tales she tells him of power. Feeling unappreciated by his siblings, Edmund decides to bring them all back to Narnia and betray them into her hands. I think Edmund is my favorite out of all the Pevensie children. Although he first begins as a betrayer and a complainer, he learns from his mistakes and turns around for the better.


Susan Pevensie is the practical, second sibling. A magical land behind a wardrobe is impossible in her sight, and once she's there, she can't believe what she's seeing. When a talking beaver arrives to take them to somewhere, Susan doubts his tale of Aslan, battles, and armies. (“Mum sent us away so we wouldn't get caught up in a war.”) When Edmund goes back to the White Witch by himself, Susan tries to be realistic. “No, you're trying to be smart. As usual.”  Susan is probably my least favorite of all four of the Pevensie children. She's always too willing to put the blame on someone else.



The last of the four Pevensie children is the eldest, Peter. With Edmund under the power of the White Witch and the aforementioned nemesis coming after them all, it falls to Peter to escort his two sisters to the safety of Aslan's camp, just across the frozen river. Peter has doubts as to their success, but he does his best to protect Lucy and Susan. Father Christmas arrives and presents Peter with the gift of a magnificent sword and shield, but when faced with the task of using them, Peter seems hesitant. I liked the character of Peter in this film, acting the older brother and doing what he knew was right even when it wasn't what he really wanted to do. He's unselfish, but he doesn't have much confidence in himself. 


Aslan, the lion, is the son of the Emperor over the Sea, the king of whole wood (according to Mr. Beaver), the top geezer, the real King of Narnia, but not a tame lion. He is a symbol of Jesus Christ, God's Son (the symbolism I addressed earlier here and I would encourage you to read that post as it talks about more of the stuff in Narnia; please read!), and when Edmund's blood is demanded by the White Witch as her property due to his betrayal, Aslan steps in to offer himself a willing sacrifice in Edmund's stead, much in the same way that Christ offered Himself as a sacrifice for the world. 



The White Witch is the enemy, plain and simple. She's proclaimed herself the Queen of Narnia and put the entire land under a hundred years of terrible winter, and she'll do anything to prevent the prophecy of four human children overthrowing her rule from coming true. Edmund is easily pulled into her false promises of power with Turkish Delight, but when he fails to bring the rest of his family to her, the White Witch decides to go after them herself. I never noticed this before watching the behind the scenes clips, but the costume designers worked particularly hard on the White Witch's clothes, even going to the extreme of making their own "lace" to cover her dresses and having her clothes slowly change color throughout the film. The white at the beginning and her tall, icy crown depicted her power and her confidence in that power. But as the Pevensies arrive and winter gives way to spring, her confidence fades and her dress gets darker and her crown gets smaller with each scene. Interesting, eh? :)

Other characters I have the present inkling to add in this review include Mr. Tumnus, the delightful faun that Lucy meets and with whom becomes close friends; I love the character of Mr. Tumnus who, even though he supposedly in the pay of the White Witch, refuses to endanger his newly made friend. There are also Mr. and Mrs. Beaver, a loving, furry couple with an affectionate and fun relationship who take it upon themselves to help the Pevensies despite the danger to their own persons lives; love some of their lines: “Stop squirming. You're worse than Beaver on bath day.” “Worse day of the year.”Another character who merits a mention is Ginarrbrik, the White Witch's right hand man dwarf. He does everything that's expected of him, but he's just one of those epic characters that you can't help liking due to their personality and speech. “I'll go check the sleigh.”  :)



Since this is a fantasy story, and there's fighting, it is rated PG for scary creatures and epic battle sequences. However, my younger sisters (ages 9 and 3) can sit with us and watch the entire film, with the lone exception of the scene at the Stone Table between Aslan and the White Witch. 

Now I realize there are many of you waiting for the post about magic that I promised you about a month ago (I'm terribly, terribly sorry I haven't posted it, but my research has been going very slowly), and I'm going to give you a brief preview of it now as magic is a big part of Narnia. 

Aslan mentions the Deep Magic in Narnia many times, but you must realize that what is meant by “the Deep Magic” is supernatural power, which does indeed exist! Christ used supernatural power to raise Lazarus from the dead. In the Companion to Narnia, we learn that the Deep Magic is twofold: the Deep Magic and the Deeper Magic. The Deep Magic is defined as the effects of justice in a created word, existing from the dawn of time. The Deeper Magic is eternal, from before the dawn of time, connoting a self sacrifice. 

The soundtrack for The Lion, the Witch, and the Wardrobe is one of my favorites. I love the light, cheery notes of “Father Christmas” and “Only the Beginning of the Adventure” is delightful to listen to as well. “Narnian Lullaby” is a haunting melody that Mr. Tumnus the faun plays, and I love playing that song on my flute. The main theme for the film is epically memorable and plays just at all the right times in the film. The songs I am not crazy about include the last four on the soundtrack, the pop songs that play in the end credits. Actually, I don't even know that all four are even in the film itself. Really doesn't fit the epic fantasy theme of the rest of the soundtrack. 



While many people put down Disney from varying from Lewis's original tale, I don't think they took too many liberties with this film. Sure, they added a few things (gave Ginarrbrik a name) and deleted a few other things (the house touring party led by Mrs. McCready in England), but on the whole, I was very pleased with how close to the book the story progressed. Now, if you really want to see a film that deviated from the original story, watch Prince Caspian, the sequel to this film, but I can't condemn Disney much for that, because that movie's also really good. 

Oh, by the way... you can read my sister's review for this film over at another one of our blogs, KiriBeth, here.



I can't think of anything else at the moment, so I suppose it's time to wrap things up. If you think of anything that I missed, please drop a comment! It's always discouraging to post a film review and then hours later think of a million different things you could/should have included in it. Oh, well...

Rating out of 5 stars: 5 stars! Not counting those last songs.

Did I enjoy The Lion, the Witch, and the Wardrobe? YES!

Would I watch it again? Uh, is that a legitimate question? YES!

Would I recommend it to other people? Yes.